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m7 Piano Chords

m7 is especially useful as ii7 before a dominant and as a minor or modal tonic. Its lowered third also keeps it distinct from Dominant 7.

m7 structure, shown with C

Cm7 is C–E♭–G–B♭: a C minor triad plus the minor seventh B♭. Its minor third E♭ distinguishes it from the dominant-seventh quality of C7.

C example showing the interval structure of m7 Piano Chords, notes C, E♭, G, B♭
C piano keyboard example showing the interval structure of m7 Piano Chords, notes C, E♭, G, B♭
Example notesC · E♭ · G · B♭
Formula1 · ♭3 · 5 · ♭7
IntervalsMinor third · Perfect fifth · Minor seventh
Semitones from the root0 · 3 · 7 · 10

What m7 quality means

StructureA minor triad plus a minor seventh produces the 1–♭3–5–♭7 structure.
One-note comparisonThe minor third establishes the minor quality; unlike C7, Cm7 contains no tritone between its third and seventh.
Common usesm7 often appears as ii7 in major, i7 or iv7 in minor, and as a modal tonic.

Minor seventh is a quality, not a fixed function. The same Cm7 can be predominant in B♭ major or tonic in C minor and modal music.

m7 in harmonic context

These examples place Cm7 in the two especially useful roles of predominant ii7 and minor tonic i7.

Hear the minor third and seventh

Cm7 → C7

Common tones
C · G · B♭
Moving voice
E♭ → E

E♭ moves up a semitone to E, while C and G and B♭ remain as common tones.

Cm7
C7
CEGB♭

m7 chord symbols

Cm7, Cmin7, Cmi7 and C−7 are common spellings. CmMaj7 is different because it contains B natural rather than B♭.

m7 and half-diminished are different

Cm7 has the perfect fifth G. Cm7♭5 lowers that note to G♭, producing the half-diminished seventh quality.

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